In keeping with their promise to release more frequent Google TV updates, Google introduced Honeycomb 3.2 last week. The new software, currently for Sony devices only with the Revue soon to follow, provides the following improvements:
- It supports hardware acceleration, making apps with animation effects move faster
- It supports HTTP live streaming which will help with HTML5 video and make local media streaming through apps work
- Improvements to the way Google TV identifies channels will make it easier for app developers to use their own EPGs
- Chrome is getting a boost
This update will likely be one of many before the arrival of Android 4.0 Ice Cream Sandwich, which is rumored to occur before the end of the year. Stay tuned to see what Google rolls out throughout the next year of Google TV.
[via GigaOm]
Google has stated that since the recent update, Google TV activation rates have “more than doubled”. Now boasting more than 150 dedicated apps in the Android Market, Google TV continues to adapt to meet the expectations of it’s users, now by teaming up with Marvell, a worldwide leader in chipsets, who have announced that the new Foresight Platform, powered by the Marvell ARMADA 1500 HD Media System-on-a-Chip (SoC), will be replacing Intel chips in the emerging 2012 Google TV hardware.
According to Marvell’s own announcement, the new chips offer tremendous processing power, are energy-efficient, and more affordable– perfect for allowing Google to lower their price points and reach ever more consumers.
[via InteractiveTV Today]
The very first public TV broadcasts were served to a wide-eyed audience on July 2, 1928. The select inhabitants of Washington, D.C., who got a glimpse of the silent silhouettes that appeared on their screens knew that this invention was something special, but they could have never predicted the impact it would have on life, culture and politics.
These first experimental transmissions lacked sound and were restricted to the low definition of 48 lines of horizontal picture – a modern equivalent of 48 pixels, a mere fraction of the picture quality on a cell phone screen. Not even a century has passed and the technology has improved by leaps and bounds. Those 48 lines of mute broadcasts have gradually turned into consumers looking for HD Dell TV deals, the latest 3D TV technology and even head mounted displays with theater-quality picture and sound.
But for all these technological advancements, the delivery of the content itself has remained largely unchanged – scheduled programming sent through a specific TV channel and to a geographically identifiable audience. If you did not have access to that one channel, lived in a state or country where it does not operate or simply had to be out and about during prime time, it meant you had to miss out.
Over the last decade, this dynamic has begun to dramatically change thanks to the combined advents of the internet, increasingly faster broadband connections and streaming video. Today, being out on the night of your favorite show no longer means that you have to miss the latest episode, as most mayor networks will have them uploaded to their websites the very next day. Similarly, those who do not have access to basic cable or live in a state with no access to a certain channel can still watch hundreds of shows at any time through the broadcaster’s websites.
This has created a struggle with cable providers, who have been forced to implement new features, such as ‘On-Demand’ channels, just so they can remain competitive with online broadcasting. And perhaps, in the not too distance future, cable providers will have to gradually mutate into a conglomeration of On-Demand features.
While traditional TV broadcasts are unlikely to lose their appeal entirely (after all, who doesn’t enjoy being a weekend channel surfer), the sheer convenience of catching your favorite shows anytime and from anyplace with internet access is an extremely appealing offer for an America that has less free time every year.
Internet-based distribution is also a very appealing proposition for the broadcasters themselves. The most obvious reason for this is piracy. There are literally hundreds of video-sharing websites that distribute copyrighted material around the clock, from vintage sitcoms to the hottest new dramas. In most cases, these illegal sites have new episodes uploaded right after the original broadcast of the show. Networks have tried to take the owners of these sites to court and have had the authorities shut down their entire operations, only to have another one pop up within the week.
Obviously, the illegal distribution of network-owned shows is not going anywhere, and for the broadcasters, it has only resulted in expensive teams of corporate lawyers playing a game virtual whack-a-mole. Streaming their shows in HD over the internet has at least shifted the internet traffic to their websites instead of illegal video sharing sites, granting them additional advertisement revenue and viewer loyalty.
And this is where Internet TV proves to be the future of television: ad revenue. Advertisers love online delivery of shows because it can give them an accurate and real-time measure of how many people have actually seen their commercials. As with most things in our civilized and ever capitalist world, it is all about the money, and companies are paying close attention to online metrics to determine how much their advertisement slots are really worth and how many potential customers they are actually reaching.
Be it through their desktop computers at home, mobile tablets during a commute or laptops during a lunch break, viewers are turning to online streaming for their entertainment needs. The success of Hulu, iTVmediaPlayer, Netflix and other streaming portals are living proof of this, and one can expect that very soon most of our TV entertainment will be delivered online.
CES 2012 was a major stage for the blossoming smart TV market, with a major focus being the new names getting on board with Google TV and the updated gadgetry they will use to lure consumers. In support of an earlier bold statement by Google, Lenovo and Vizio are joining Sony, Samsung and LG in the production of Google TVs.
The Lenovo K91 Smart TV is the first of it’s kind to run Android 4.0 Ice Cream Sandwich, and is already available in China 42″ and 50″ sizes, to be released elsewhere at an unknown future time. It’s features include a Qualcomm Snapdragon 1.5 Ghz processor with 1GB of RAM, SD card storage and a 5 mega pixel webcam.
Vizio’s Google TV, to be debuted in Summer 2012, dresses Honeycomb in a smooth look similar to that of it’s tablets and features DNLA-based content sharing capabilities. Vizio is dedicated to staying up to date with the evolution of Google TV between now and their summer release date, talking closely with Google in continual development.
Both sets boast uuber fancy remote controls to tantalize any gadget lover: touch screen technology, bluetooth, QWERTY keyboard, a built in microphone, and dedicated Netflix, Amazon, and Vudu buttons are some of the collective treasures these new contenders will offer.
Stay tuned as we keep you updated on the exploding options in the land of Google TV–with the increasing number of integrated options, perhaps Google TV will finally get it’s time to shine.
[via Digital Spy and Washington Post]
If you unwrapped a Revue this holiday season and have hit a snag in setting it up, it may because of corrupted firmware. Users are reporting that set-up of some new Revue units is failing at step seven of eleve, when attempting to contact Logitech’s server. Logitech’s Senior Product Manager Peter McColgan has made the following statement:
There appears to be corrupted firmware on some of the recently manufactured Revues which is causing the Authentication error. There is nothing that you can do to fix this and nothing we can do except to replace your Revue via the RMA process. You always have the option of returning to the retailer and exchanging for another Revue or getting a refund. We believe that only a relatively small % of recently manufactured Revues are affected.
As stated above, there is no fix besides exchanging your box at your local retailer or through Logitech directly. This will likely mean more revenue lost on account of the Revue–nothing like another upset for Logitech, which just keeps paying for it’s Google TV mistakes!
[via The Verge]
It turns out that the Honeycomb update that rolled out to the Logitech Revue a couple weeks ago was incomplete: the updated Revue does not support the full Google TV Version 2.0 enhancements for video and media streaming capabilities. The limited functionality is centered around the Logitech Media Player, which lacks support for transport streams (.ts) and the MPEG-2 codec, both of which where implemented by Sony in the Honeycomb update.
Upon first discovery of this shortcoming, it was thought that perhaps the Revue had a limited chipset that wasn’t capable of supporting the MPEG-2 codec used in traditional DVDs, but deeper probing has revealed that the Revue is not only capable, but that support had been available in the first leaked beta version of Honeycomb and had been specifically removed in later leaks and the official release.
So, why is Logitech barring its users from some features while at the same time blaming Google for the Revue’s lack of success? Furthermore, why are they bothering to push incomplete updates that only serve to highlight the fact that Logitech has got one foot out the door? This is troubling news for customers who have already invested in Revue units, and even more troubling for customers who have just purchased units this holiday season under high expectations of improvement. We will keep our fingers crossed that Logitech pushes another update that offers full functionality. If not, Logitech may have just sent a message that officially sentences the Revue to market death.
[via StreamingMedia]
Logitech announced today that the Revue will be getting the long-awaited Honeycomb update this week. Sony Google TV’s got the update in early November, at which time we were told that the Revue was soon to follow. While I guess a month wasn’t a terribly long wait, it sure felt like it to us! In fact, we were starting to wonder if the update wasn’t coming at all, what with Logitech’s recent statement about pulling out of Google TV. But alas, Logitech is still hoping to clear those warehouse shelves via Version 2.0.
For those of you already using the Revue, simply make sure that your unit is hooked up, turned on and connected to the web– an automatic screen pop-up will require that you accept the update when the time has come. New Revue users will be expected to receive the updated version automatically upon start-up.
Along with the improved features of Android 3.1, which include access to the Android Market and easier-to-navigate search features, the Revue boasts “improvements to the Logitech Media Player”, with no detail as to what exactly that means. Luckily we will be able to see for ourselves in just a few short days, so stay tuned for updates.
[via Logitech Blog]
After launching its music store just a few days ago, Google Music has rolled out a Google Music App for Google TV. The service, which is integrated with Google+ for social sharing, is also free to sign up for in the US and offers 13 million tracks from the archives of Sony Music Entertainment, Universal and EMI, as well as a number of indie labels. The app for Google TV allows you to stream from your library of music stored in the cloud and is integrated into the Google TV system such that you can set up playlists to act as a soundtrack of a photo slideshow. The app is available via the Android Market (assuming you’ve gotten the Honeycomb update) and requires enrollment in the service on your computer.
[via The Verge]
Sony Google TV devices got the Honeycomb update this week, and though us GTV Hub-ers are still waiting on the Revue to come around, TechCrunch is already talking 2.0. In summary, they are dubbing it beautiful but not brilliant– a definite improvement but still with vasst short fallings. As more and more reviews surface it will be interesting to see if this is the general consensus: did Google miss their mark again? Hopefully Logitech will jump on the 2.0 bandwagon in a hurry, so I can find out for myself! Stay tuned folks, the GTV Hub Google TV 2.0 Official Review is soon to come!
With the coming of Google TV 2.0, giddiness over access to the Android App Market has left another key app-related feature unnoticed: Google TV users will be able to install non-market apps as well. This feature builds a space for creation and proliferation within separate app markets, as well as space in which other Android-powered copycat streaming devices that could compete with Google TV products.
In the GIGAOM article from which this is article is sourced, a comparison is drawn between the tablet market and the Google TV market, as tablets provide an easy to see example of a wide diversification of spin-off products which offer access to third-party app markets, but even without a tablet comparison its easy to see how similar Google TV copy-cats are already abundant in the streaming TV space: Boxee, Roku, Netgear, WD, Seagate and others all have options available to consumers. While it is likely that these impersonators don’t have access to the Android Market, it also seems likely that with time and interest, more and more apps will be optimized for these devices, or they may simply elect to go Android themselves.
Could this seemingly unchecked creative space for both product proliferation and app optimization eventually lead to competition for Google TV products? And more importantly, does Google TV have anything to fear?
Well, the good news is that Google has strict requirements for Google TV hardware makers: devices must support ARM chips, include plenty of RAM, and work with a cable box and a full QWERTY keyboard. Hence, it seems hard to believe that others will sneak to the forefront of innovation or customer need. However, if other contenders in the connected TV space go Android, grab enough apps and offer access to a separate app market, they could potentially steal some thunder.
The key will be to avoid too much fragmentation: multiple Android-based platforms could cause consumer confusion and apps that work on one platform and not another could lead to developer frustration. On the other hand, any device that gets consumers using Android over iOS could only help Google TV succeed. Besides, impersonation is the most sincere form of flattery, and competition breeds innovation.
[via GIGAOM]
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